In the beginning, I chose to draw the strip at a size allowing two episodes to an A4 sheet of ordinary bond paper, using a common or garden Pentel R50 ball-point pen (or similar) for the line-work. Often, I added various Mecanorma pattern shades burnished directly onto the art. Finished strips were always photo-copied for delivery to the publishers... because, I had lost far too much original art by trusting it to editorial/production staff in previous years. Remember, this also was long before the days when personal computers became a standard piece of household or, even business furniture. All cartooning projects were still 'hand-made' and distributed either by hand, or by snail-type delivery methods.
Although the circumstances which led to the advent of Rarebits didn't allow for it, I learned in the first few years of the absolute necessity for planning characters, situations and general premise of a continuing strip BEFORE launching into it. Having to do it 'on the fly' is not only annoying for the author... but, also confusing for followers of the feature. Nonetheless, I still love story-telling in the sequential art method!
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